Skip to main content

Maria Möller's "CBD (Chinese Business District)" Installation and Opening Reception

Opening reception with a presentation and tour about the history of New Orleans' Chinatown
By geographer Richard Campanella

Saturday, March 7, 2015 from 1pm-3pm:
The Saratoga, 212 Loyola Street
The work will be on view from the street through March 29th as a storefront installation .



CBD (Chinese Business District)
inserts visual memory into the built environment of what was once New Orleans’ Chinatown. From the 1880s through the 1930s, the largest Chinatown in the southeastern United States was scattered over several blocks in what became New Orleans’ Central Business District (CBD). Almost all the buildings from this time are gone and no photographs of them exist. Most New Orleanians have no idea what was once there.

For CBD (Chinese Business District), artist Maria Möller partnered with geographer Richard Campanella as part of A Studio in the Woods' Flint and Steel Residency. Using Campanella's research as a guide, Möller created Lunar New Year installations on sites that were once part of Chinatown. The installations and the photographs created of them reference the layers of lived experience that form the bedrock of a city: a unique cultural enclave, urban development, urban decay, and then urban development once again.

The exhibit's opening reception will include a presentation by Richard Campanella on the historical geography of this area, a short walking tour of the places that once were part of New Orleans' Chinatown, and a presentation by the artist about the project's process, which included time spent with the close-knit community that is descended from the immigrants who built this early Chinese American business district.

Articles:
"The lost history of New Orleans' two Chinatowns" by Rich Campanella for the Times Picayune
"In New Orleans, Reviving the Memory of a Forgotten Chinatown" by Tanvi Misra for The Atlantic's Citylab


Many thanks to Wisznia | Architecture + Development for hosting the exhibit at The Saratoga. Maria is one of four artists awarded a Flint and Steel Residency at A Studio in the Woods this Spring. These residencies match artists with faculty members to create risk-taking new works designed to ignite social change. Flint and Steel Residencies are sponsored in part by The Max and Victoria Dreyfus Foundation and Tulane/Xavier Center for Bioenvironmental Research.

Comments

Popular posts from this blog

CALLING ALL ARTISTS - Adaptations: living with change Residencies

New Orleans and the region are frequently invoked as one of the areas most vulnerable to the effects of environmental change. Our highly manipulated landscape can be seen as a microcosm of the global environment, manifesting both the challenges and possibilities inherent in the ways humans interact with urban and natural ecosystems. With nearly half of the world’s population living within 40 miles of a coastline with rising seas, the concerns of Southern Louisiana resonate globally. Adaptations Residencies invite artists to examine how climate driven adaptations - large and small, historic and contemporary, cultural and scientific - are shaping our future. Adaptations Residencies will provide artists with time, space, scholarship and staff support to foster critical thinking and creation of new works. The call is open to artists of all disciplines who have demonstrated an established dialogue with environmental and culturally related issues and a commitment to seeking and plumbing new…

2015 Flint and Steel Cross-disciplinary Combustion Residents

Flint and Steel are five week residencies designed to allow artists to join forces with academic partners. Artists and Tulane University faculty members will be united to inspire each other in the development of new work, to excite the public, and to ignite social change. Addressing the artists' desire to be more effective and have longer lasting impact with their outreach, these collaborations will empower the artistic practice with scholarship, student manpower and academic resources from Tulane. We ask artists to describe in detail how the opportunity will affect their work, to identify potential departmental partners, to propose a public component to their residency and to suggest ways in which they will engage with the local community.


Artist: Pippin Frisbie-Calder, Louisiana, January + April 2015
Faculty partner: Tim McLean, Ecology and Evolutionary Biology
Website: www.pippinprint.com


Printmaker Pippin Frisbie-Calder will be collaborating with Dr. Tim McLean of …

Listening to the River

Previous ASITW residents, Monica Haller and Sebastian Muellauer are traveling down river for the month of July, mapping the sounds of the river from headwaters to the delta.



They are using an underwater microphone (hydrophone), a robot buoy that records the sounds, documents the route, sights and observations along the way. The culmination of the trip is New Orleans where they are planning small actions of "listening to the river.” This articulates itself as an informal "listening station” where residents are invited to specific points of the waterfront to listen. There, they settle down next to the river to hear the water passing by. The buoy suspends the hydrophone in the river. Listeners sit, lie, "plug in" to the water. It's a simple action that people often find quite powerful. The sound streams live for anyone listening from afar.

You are invited to the river’s bank to participate.

Join us at the Audubon Park "Fly" by the old riverboat dock on…